How Much Is Regatta at Molesey near Hampton Court Worth?
Last updated: March 16, 2026
Quick Facts
- Methodology
- comparable analysis
This is a hypothetical market valuation for Alfred Sisley’s Les Régates à Molesey (1874), currently in the Musée d’Orsay (RF 2787). Given the Caillebotte bequest provenance, documented museum custody and relevant auction comparables, a reasonable auction range today would be approximately $1,500,000–$4,500,000.

Regatta at Molesey near Hampton Court
Alfred Sisley, 1874 • Oil on canvas
Read full analysis of Regatta at Molesey near Hampton Court →Valuation Analysis
Overview: Alfred Sisley’s Les Régates à Molesey (1874) is a documented, museum‑held canvas (Musée d’Orsay, accession RF 2787) recorded at 66 × 91.5 cm and cited in the museum’s catalogue and standard Sisley literature [1]. Because the picture sits in the French national collection via the Gustave Caillebotte bequest, it carries unusually strong provenance and curatorial validation; any market valuation must therefore be framed as a hypothetical auction estimate rather than a prediction of an imminent sale.
Method and comparables: This valuation is driven by a comparable‑analysis approach: I reviewed recent auction outcomes for Sisley river/Thames/regatta views, the artist’s auction ceiling (the 2017 Sotheby’s snow scene) and the uplift normally accorded to museum‑provenanced works [2]. Recent sales of mid‑to‑large Sisley river scenes at major houses (Christie’s, Sotheby’s, Bonhams) through 2022–2025 show realized prices clustered between the mid‑six figures and low‑seven figures, with marquee lots occasionally exceeding that band [3]. Those results establish a realistic transactional envelope for a well‑provenanced, well‑conditioned Sisley of this size and subject.
Why this painting merits a premium: Caillebotte provenance and continuous state/museum custody materially reduce provenance and attribution risk and typically draw institutional and specialist buyer interest. The work’s scale (66 × 91.5 cm) and clear placement in Sisley’s Thames/regatta group further support a value above routine small studies. When comparable museum‑quality Sisleys have come to market with strong exhibition/literature history, they have realized in the mid‑to‑multi‑million dollar band; in an ordinary sale context they trend toward the lower part of that range.
Key uncertainties: The estimate assumes museum‑grade condition consistent with long institutional stewardship; significant structural issues, major restoration or heavy relining would reduce value. Auction context (evening marquee sale vs specialist day sale), pre‑sale marketing, and whether the lot is offered with exhibition loans or catalogue guarantees will also materially influence final price. Because the painting is not currently on the market, the figure below is hypothetical and contingent on these variables.
Final estimate (hypothetical auction): USD $1,500,000–$4,500,000. The lower bound reflects conservative demand and the possibility of sale‑venue or condition discounts; the upper bound anticipates vigorous competitive bidding in a marquee sale with institutional interest and exhibition support. For a formal insured valuation or sale plan, obtain the Musée d’Orsay provenance/exhibition file and a recent condition report and consult an Impressionist specialist at a major auction house before listing.
Key Valuation Factors
Art Historical Significance
High ImpactAlfred Sisley is a central figure in Impressionist landscape painting, and his 1870s Thames/regatta works are an important subcategory within his oeuvre. Les Régates à Molesey (1874) is a representative example of Sisley’s English river scenes — it illustrates his treatment of light, atmosphere and river traffic and contributes to scholarship on Anglo‑French Impressionist exchange. While not a uniquely canonical singular work on the level of his very rare masterpieces, the painting’s clear placement within a documented group of regatta canvases makes it art‑historically significant and supports a premium relative to anonymous studio productions.
Provenance & Exhibition/Publication History
High ImpactProvenance is a decisive value driver: this canvas entered national custody via the Gustave Caillebotte bequest and has been held by state institutions (Luxembourg/Louvre/Jeu de Paume → Musée d’Orsay), which greatly reduces attribution and ownership risk. Museum custody conveys conservation oversight, exhibition opportunities and literature citations — all of which raise confidence among institutional and private buyers. Works with this pedigree typically realize higher estimates than similar compositions lacking institutional provenance; the Caillebotte association in particular is a recognized premium enhancer in the Impressionist market.
Condition & Conservation
Medium ImpactPhysical condition is a prominent adjustable variable but cannot be fully assessed from catalog records alone. Long museum stewardship suggests routine professional conservation, which supports value; however, any notable structural intervention (extensive relining, significant overpainting, or visible instability) would materially depress the price. Conversely, an intact original surface, a recent conservation report, and availability of technical imaging would support the high end of the range. A formal condition report (X‑ray, IR/UV, conservator’s note) is required for an insured or saleable estimate.
Market Comparables & Auction Context
High ImpactComparable auction results (mid‑six to low‑seven figures for well‑provenanced river/bridge/regatta scenes) and Sisley’s 2017 auction record (top ceiling) form the empirical basis for this valuation. Auction venue, sale timing and the degree of pre‑sale institutional support (loans, catalogue inclusion) drive realized value: marquee evening sales with heavy marketing and institutional interest produce the best outcomes, while specialist day sales or weaker cataloguing can push similar works toward the lower bound. Supply/demand dynamics for Impressionist landscapes and competing lots on the same sale date also materially influence final prices.
Sale History
Regatta at Molesey near Hampton Court has never been sold at public auction.
Alfred Sisley's Market
Alfred Sisley (1839–1899) is a respected Impressionist landscape specialist whose market sits below Monet and Renoir but above many lesser contemporaries. His auction record (a 2017 Sotheby’s sale) establishes a trophy ceiling in the single‑digit millions, while most desirable mid‑to‑large Sisley landscapes have realized in the mid‑six‑figure to low‑seven‑figure range. Demand is steady among collectors of Impressionism, with a marked preference for river, snow and Moret compositions. Liquidity is moderate: well‑documented, museum‑quality works find eager buyers at major houses, while ordinary or poorly documented canvases tend to trade at lower, more disciplined levels.
Comparable Sales
Effet de neige à Louveciennes
Alfred Sisley
Artist-identical trophy work; establishes the market ceiling for prime Sisley works (record auction result). Different subject (snow) but useful as top‑end benchmark for museum‑quality, well‑provenanced Sisleys.
$9.1M
2017, Sotheby's London
~$11.9M adjusted
Le pont de Moret‑sur‑Loing en été
Alfred Sisley
Recent high‑quality river/bridge scene by Sisley sold in a marquee sale (close in subject/genre to the Molesey regatta); demonstrates realized demand in the low‑to‑mid millions for strong river views.
$2.6M
2025, Christie's London
Moret‑sur‑Loing au soleil couchant
Alfred Sisley
Sisley river/landscape (Moret) sold at a major house; similar genre and period; provides a realistic mid‑market precedent for well‑provenanced river views.
$1.6M
2022, Christie's New York
~$1.8M adjusted
La Seine à Suresnes
Alfred Sisley
River view (Seine) by Sisley sold in 2025; similar subject and (likely) comparable scale — represents the lower‑mid range for marketable river scenes in current market conditions.
$945K
2025, Christie's New York
La Seine à Suresnes
Alfred Sisley
Another recent sale of the same subject at a different house; useful to show intra‑market variance for comparable river scenes and the role of venue/marketing on price.
$1.3M
2023, Bonhams New York
~$1.3M adjusted
Le Pont de Sèvres en fin de journée
Alfred Sisley
Bridge/river subject sold in 2025 at Sotheby's; lower realized price illustrates the bottom of the band for routine river/bridge views without exceptional provenance or trophy quality.
$656K
2025, Sotheby's London
Current Market Trends
Since 2024 the Impressionist market experienced a measured contraction followed by selective recovery in 2025–2026. Buyers favor a flight‑to‑quality: well‑provenanced, exhibition‑ready works outperform ordinary lots. Auction houses increasingly use private sales and guarantees to manage risk, which can lift realized prices for secure consignments. For museum‑held Sisleys, the environment is supportive, but final outcomes will be sensitive to sale venue, marketing and contemporaneous supply.