How Much Is The Rocks at Pourville, Low Tide Worth?
Last updated: March 16, 2026
Quick Facts
- Insurance Value
- $16.0M (Comparable sales analysis; museum-held replacement principle)
- Methodology
- comparable analysis
Fair market value for Claude Monet’s The Rocks at Pourville, Low Tide (1882) is estimated at $9–14 million, based on tightly matched Normandy coastal comparables from 1881–1884. A replacement/insurance recommendation of $16 million reflects scarcity, deep Monet demand, and museum-caliber provenance.

The Rocks at Pourville, Low Tide
Claude Monet, 1882 • Oil on canvas
Read full analysis of The Rocks at Pourville, Low Tide →Valuation Analysis
Conclusion: Based on directly comparable sales of Monet’s early‑1880s Normandy coastal paintings, The Rocks at Pourville, Low Tide (1882) would reasonably achieve $9–14 million at auction or in a private treaty today, with a recommended insurance/replacement value of $16 million. This estimate reflects the work’s desirable 1882 Pourville subject, mid‑scale format (approx. 64 × 79 cm), and institutional provenance, set against a resilient blue‑chip Monet market.
Methodology and key comparables: We anchored the estimate to closely related seascapes by Monet from 1881–1884. Within the same campaign and year, Sur la falaise à Pourville (1882) realized $8,229,000 at Sotheby’s New York (2014), indexing to roughly the low‑to‑mid teens in today’s dollars [4]. A near‑motif match, Marée basse aux Petites‑Dalles (1884), made $9,882,000 at Sotheby’s New York (2016), also indexing to the low‑teens on an inflation‑adjusted basis [5]. More recently, an 1882 Pourville canvas, Soleil couchant, temps brumeux, Pourville, sold for $5,100,000 in a Day Sale at Christie’s New York (2022), a lower‑visibility format that typically compresses price versus Evening sales for equivalent quality [3]. As a contemporary proxy for market appetite for rocky seascapes beyond Normandy, La Roche Guibel, Port‑Domois (Belle‑Île, 1886) brought $10,185,000 at Christie’s New York (May 2024) [6]. Together, these benchmarks support a present‑cycle band clustered in the high single digits to low‑teens for strong, mid‑scale coastal Monets, with premiums for luminous palette, compositional drama, condition, and provenance.
Market positioning: Monet remains among the most liquid and globally collected artists. His record stands at $110.7 million for Meules (Haystacks) at Sotheby’s New York (2019), underscoring the depth at the top of the artist’s market [1]. Recent marquee results—e.g., Houses of Parliament at $75.96 million (Christie’s New York, 2022)—confirm sustained demand across core series and high‑quality subjects [2]. While Pourville seascapes are not as brand‑defining as Nymphéas or Poplars, they are a recognized, sought‑after chapter of Monet’s 1880s practice and trade with consistency.
Work‑specific considerations: The 1882 Pourville motif (rocks at low tide) carries strong period desirability. Museum ownership and published status enhance confidence in attribution, provenance, and conservation history—factors that help compress risk for buyers and justify a valuation toward the upper half of the comparable range for insurance. Replacement on short notice with an equally close substitute is difficult, hence the recommended $16 million insured value. This sits above likely fair market value, in line with industry practice for blue‑chip, museum‑grade works.
Timing: Monet’s 2026 centenary has intensified institutional programming and collector focus, a tailwind that supports liquidity and pricing at the quality end of the market. Assuming typical museum‑standard condition and intact surface quality, the $9–14 million FMV band and $16 million insurance figure accurately reflect current demand and scarcity for an 1882 Pourville canvas of this type.
Key Valuation Factors
Art Historical Significance
High ImpactPainted during Monet’s pivotal Normandy campaigns, the 1882 Pourville pictures capture his evolving engagement with Atlantic light, transitory atmospherics, and serial observation—prefiguring his mature series practice. The rocks‑at‑low‑tide motif is emblematic of this phase, balancing structural coastline forms with shifting reflections and tide pools. While not as globally iconic as Nymphéas or Haystacks, these canvases are firmly established within the scholarly narrative of Monet’s 1880s innovations. Works from 1882 often show a fresh, high‑chroma palette and brisk facture that appeal strongly to connoisseurs of the period. This contextual weight underpins robust demand and supports a valuation squarely within the high single‑digit to low‑teen millions.
Subject and Campaign Desirability
High ImpactNormandy coastal subjects (Pourville, Varengeville, Étretat) from 1881–1884 are among Monet’s most consistently collected non‑series landscapes. Low‑tide and rock‑strewn foreshore views deliver attractive color contrasts—emerald shallows, violets in shadow, and surf highlights—alongside dynamic horizontals and diagonals that increase visual drama. Market data show these pictures trade with regularity and strength when scale, palette saturation, and composition cohere. The subject here—rocks at low tide—aligns closely with the 1884 Petites‑Dalles low‑tide canvas and the 1882 Pourville examples that have performed in the $8–13 million area (inflation‑adjusted), anchoring the present $9–14 million FMV band.
Provenance and Collection Status
Medium ImpactMuseum ownership (Memorial Art Gallery, University of Rochester) enhances the work’s scholarly standing, provenance clarity, and perceived surface care—qualities that reduce buyer risk. While institutional holding does not, by itself, increase fair market value if a deaccession were contemplated, it meaningfully affects replacement difficulty for insurance purposes. For blue‑chip Impressionism, finding an equivalently dated, sized, and qualitatively matched Pourville canvas on short notice is challenging. That scarcity, combined with clean institutional provenance, supports positioning the insured value above the FMV midpoint, here at $16 million, in line with replacement‑value conventions for museum‑grade works.
Market Liquidity and Timing
Medium ImpactMonet’s market remains deep across geographies, with consistent eight‑figure outcomes and ongoing institutional programming—amplified by the 2026 centenary—keeping demand elevated. Recent marquee results across series confirm confidence at the top end, while mid‑scale coastal works have transacted reliably in the high‑single‑digit to low‑teen millions. Broader auction conditions have favored blue‑chip historical masters over mid‑tier segments, supporting competitive bidding for quality Impressionism. Against this backdrop, an 1882 Pourville canvas of strong color and composition should clear comfortably within the $9–14 million band, with upside potential in an Evening‑sale setting and underwritten by a third‑party guarantee.
Sale History
The Rocks at Pourville, Low Tide has never been sold at public auction.
Claude Monet's Market
Claude Monet is among the most liquid and internationally coveted artists at auction. His record stands at $110.7 million for Meules (Haystacks) at Sotheby’s New York in 2019, and late Nymphéas and series pictures (Poplars, Houses of Parliament, Venice) regularly command eight figures in marquee sales. Recent headline results in 2022–2025 reaffirm demand breadth across the artist’s oeuvre, from late water lilies to key serial landscapes. Asian buying has expanded, and top Western salerooms maintain deep benches of Monet collectors. While prices vary materially by subject, date, scale, and condition, strong works outside the absolute top series continue to realize high single‑digit to mid‑teen million prices, indicating a robust and resilient market.
Comparable Sales
Soleil couchant, temps brumeux, Pourville
Claude Monet
Same artist; same place and year (Pourville, 1882); atmospheric coastal view closely aligned with MAG’s 1882 Normandy seascapes and typical Monet landscape scale.
$5.1M
2022, Christie's New York
~$5.6M adjusted
Sur la falaise à Pourville
Claude Monet
Same artist; same campaign and year (Pourville, 1882); cliff-top Normandy coastal composition from the exact period as MAG’s painting; comparable subject, palette, and typical dimensions.
$8.2M
2014, Sotheby's New York
~$11.2M adjusted
Marée basse aux Petites-Dalles
Claude Monet
Same artist; closely related Normandy coast subject (low tide/rocks) from 1884; highly analogous motif and likely similar scale to MAG’s Pourville low-tide canvas.
$9.9M
2016, Sotheby's New York
~$13.3M adjusted
La Roche Guibel, Port-Domois
Claude Monet
Same artist; closely related rocky coastal seascape (Belle-Île, 1886) with dramatic cliffs/surf; used as a strong market proxy when few 1882 Normandy examples are available.
$10.2M
2024, Christie's New York
~$10.4M adjusted
Current Market Trends
Impressionist and Post‑Impressionist masters led a recovery at the high end through 2025, with blue‑chip names outperforming as buyers sought quality and art‑historical certainty. Monet’s segment remains a bellwether: marquee lots continue to anchor Evening sales, and mid‑scale works in desirable periods attract competitive bidding. The 2026 centenary has further energized curatorial programming and buyer attention. While broader markets have been selective, liquidity above $1 million remains solid, particularly for museum‑grade paintings with strong provenance and condition. Against this backdrop, high‑quality Normandy seascapes from the early 1880s are well supported in the high‑single‑digit to low‑teen millions, consistent with the estimate presented here.
Sources
- Sotheby’s: Monet’s Meules sells for $110.7m (artist record), May 14, 2019
- Christie’s: 20/21 Marquee Week New York results (Houses of Parliament, $75.96m), May 12, 2022
- Christie’s Press: Day Sale (Monet, Soleil couchant, temps brumeux, Pourville, $5.1m), May 14, 2022
- Sotheby’s: Sur la falaise à Pourville (1882), price reported $8,229,000, May 7, 2014
- Artemundi: May 2016 Sotheby’s NY—Monet, Marée basse aux Petites-Dalles ($9,882,000)
- Artprice: The Art Market in 2024 (Monet, La Roche Guibel, Port-Domois, $10,185,000, May 16, 2024)