How Much Is The Millinery Shop Worth?
Last updated: January 26, 2026
Quick Facts
- Last Sale
- $35K (1932, Durand-Ruel, New York)
- Methodology
- comparable analysis
The Millinery Shop is a canonical, prime-period Degas oil—widely cited as the largest and most ambitious of his millinery pictures—held by the Art Institute of Chicago. Given its uniqueness, subject-signature status, scale, and museum imprimatur, a hypothetical private-sale fair market value of $60–90 million is warranted. This range sits confidently above the artist’s public auction benchmarks due to extreme scarcity of comparable oils and cross-category demand for Degas masterpieces.

Valuation Analysis
Conclusion: If marketable, Edgar Degas’s The Millinery Shop would command approximately $60–90 million in a competitive private-sale context. The Art Institute of Chicago identifies this canvas as the largest and “perhaps the most ambitious” of the artist’s millinery works—an essential modern-life theme within Degas’s oeuvre—placing it among his most important oils outside the ballet subject [1]. Its uniqueness, scale, and canonical status justify a material premium over the artist’s public auction benchmarks.
Comparables and price logic: Public auction anchors for Degas’s two-dimensional works are relatively old and constrained by scarcity. The record for a Degas work on paper is the pastel Danseuse au repos at £17.6 million (≈$27.9 million) in 1999 [3], while a major Degas oil, Les Blanchisseuses, achieved $13.7 million in 1987 [4]. More recently, the overall artist record was reset by the bronze Petite danseuse de quatorze ans at $41.6 million in 2022, confirming deep, cross-category demand for iconic Degas subjects at the very top of the market [2]. A unique, prime-period, museum-caliber oil of a signature subject should clear these public benchmarks; our range therefore extrapolates upward from these anchors, reflecting the rarity premium and private-sale dynamics.
Rarity and museum imprimatur: Large, first-rank Degas oils of signature subjects (dancers, bathers, milliners) are overwhelmingly in institutional collections and almost never appear at auction. The Millinery Shop’s chain of title—Degas to Durand-Ruel, to the preeminent Chicago collector Annie Swan Coburn, and to the Art Institute in 1933—coupled with extensive publication and exhibition history, reduces perceived risk and supports a trophy-level valuation [1].
Category momentum and scholarship: Curatorial and scholarly currents have intensified focus on Degas’s depictions of modern labor and fashion beyond ballet. The Cleveland Museum of Art’s 2023–24 exhibition “Degas and the Laundress” broadened attention on working women in Degas, reinforcing the cultural resonance of themes closely allied to millinery [5]. The 150th anniversary programming for the first Impressionist exhibition in 2024 further amplified global interest in the core Impressionist canon, including Degas [6].
Assumptions: This valuation assumes sound structural and surface condition consistent with long-term museum stewardship, with normal aging and conservation for a work of this period. Any materially adverse condition findings would require a downward adjustment; conversely, pristine condition, optimal market timing, and head-to-head principal competition could push the price toward or above the top of the range. On balance, the $60–90 million range best reflects today’s market for a unique, canonical Degas oil of this stature.
Key Valuation Factors
Art Historical Significance
High ImpactThe Millinery Shop is a benchmark of Degas’s exploration of modern Parisian life beyond ballet. The Art Institute of Chicago describes it as the largest and possibly the most ambitious of his millinery pictures, and the work is central to scholarship on Degas’s themes of looking, labor, and fashion. Canonical status within a key series, coupled with frequent reproduction and exhibition, places this painting near the top tier of Degas’s non-ballet oeuvre. Such works function as touchstones in the artist’s narrative, attracting cross-category buyers who prize both cultural importance and historical visibility—traits that correlate strongly with auction-topping and private-sale premium outcomes.
Rarity and Scarcity of Prime Oils
High ImpactLarge, prime-period Degas oils of signature subjects are exceptionally scarce in private hands; most reside in museums. Unlike bronze sculptures with multiple casts, a masterpiece oil is unique and unrepeatable. Scarcity constrains public comparables and typically forces price discovery in private channels at premiums to auction records. The absence of true peer works in the market means collectors seeking a definitive Degas outside the ballet theme would likely concentrate demand here, bidding aggressively to secure an unrepeatable asset. This supply dynamic materially justifies a valuation step-change above the artist’s two-dimensional auction benchmarks.
Provenance, Exhibition, and Literature
High ImpactThe work’s provenance—artist to Durand-Ruel, to major Chicago collector Annie Swan Coburn, to the Art Institute in 1933—offers an exemplary chain of custody. Museum ownership for more than nine decades typically implies rigorous conservation and deep documentation, while extensive exhibition and literature citations enhance visibility and scholarly endorsement. Such attributes reduce authenticity and condition risk, aid underwriting and lending, and strengthen buyer confidence. In practice, this pedigree supports aggressive pricing and lowers friction in diligence, often translating to higher realized values, especially for blue-chip Impressionist masterpieces with institutional imprimatur.
Subject, Scale, and Condition Assumptions
Medium ImpactThe millinery subject is a signature Degas theme connected to his broader investigations of work, spectatorship, and modernity. At roughly 100 × 110.7 cm, the painting’s scale is substantial for the artist’s oils and plays powerfully on the wall, enhancing desirability versus smaller works. This valuation assumes structurally sound condition and stable surface quality consistent with long-term museum stewardship; confirmation through technical imaging and a current conservation report would be standard in any transaction. While optimal condition would support the top of the range, material structural or surface issues would require a price adjustment.
Sale History
Durand-Ruel, Paris
Dealer purchase from the artist; price recorded as 50,000 francs (DR stock no. 10253).
Durand-Ruel, New York
Sold to Mrs. Annie Swan Coburn, Chicago (DR stock no. 4114); bequeathed to the Art Institute of Chicago in 1933.
Edgar Degas's Market
Edgar Degas is a foundational Impressionist with durable, global demand across media. His overall auction record is $41.6 million for Petite danseuse de quatorze ans (Christie’s, 2022), underscoring cross-category appetite for iconic subjects. For two-dimensional works, the record is the 1999 pastel Danseuse au repos at roughly $27.9 million. Large, prime oils remain rare at auction; many first-rate examples are in museums, concentrating public results among pastels, drawings, and bronzes. Collectors prize Degas’s dancer imagery most consistently, but key modern-life subjects—laundresses, bathers, and milliners—are increasingly recognized for their art-historical weight and command strong private-sale interest.
Comparable Sales
Les Blanchisseuses (The Laundry Maids)
Edgar Degas
Closest widely cited public-market anchor for a major Degas oil: prime-period, modern-life working women subject and substantial scale. Useful benchmark for pricing a large, canonical Degas oil.
$13.7M
1987, Christie's London
~$38.7M adjusted
Danseuse au repos (Dancer Resting)
Edgar Degas
Record public price for a Degas two-dimensional work (pastel). Calibrates the upper bound of public auction demand for flat works by Degas from the prime period.
$27.9M
1999, Sotheby's London
~$53.7M adjusted
Petite danseuse de quatorze ans (Little Dancer Aged Fourteen) — bronze, cast 1927
Edgar Degas
Artist’s overall auction record; demonstrates top-tier, cross-category demand for iconic Degas subjects. While a different medium, it anchors trophy-level willingness to pay for the brand.
$41.6M
2022, Christie's New York
~$45.6M adjusted
Eugène Manet (oil on paper laid on board)
Edgar Degas
Recent benchmark for a Degas oil (albeit smaller, oil on paper, and a portrait). Offers a contemporary datapoint for oil pricing dynamics versus pastels and sculpture.
$7.7M
2022, Sotheby's London
~$8.4M adjusted
Danseuse (Dancer) — pastel
Edgar Degas
Top-tier pastel of a signature subject, recently sold; helps gauge current appetite and pricing for prime-period two-dimensional Degas works.
$11.8M
2021, Sotheby's New York
~$14.0M adjusted
Danseuse attachant son chausson (Dancer Adjusting her Slipper) — pastel
Edgar Degas
Another high-quality, late-19th-century dancer pastel (Anne H. Bass Collection). Reinforces robust demand for signature subjects and top provenance.
$9.0M
2022, Christie's New York
~$9.9M adjusted
Current Market Trends
The upper tier of the Impressionist/Modern market remains a flight-to-quality environment: museum-caliber, well-provenanced masterpieces attract deep competition, while secondary examples face selectivity. Since 2022, record-level lots across classic names have reaffirmed trophy demand, with institutions and top private buyers competing for canonical works. Impressionism benefited from heightened curatorial attention around the 150th anniversary of the first Impressionist exhibition in 2024, boosting cultural visibility. Within Degas, top pastels and the best bronzes remain liquid, but unique, prime-period oils are the scarcest—and thus command the strongest private premiums when available.
Sources
- Art Institute of Chicago – The Millinery Shop (object page)
- Forbes – Degas’s ‘Little Dancer’ fetches record $41.6m (May 12, 2022)
- The Guardian – Degas pastel sets record (June 29, 1999)
- The Washington Post – Degas oil sells for $13.7 million (Dec 1, 1987)
- Cleveland Museum of Art – Degas and the Laundress (2023–24)
- Musée d’Orsay – Paris 1874: Inventing Impressionism (2024)