Most Expensive Giorgione Paintings

$400-600 million

Estimated at $400–600M on an open market, its status as the prototype of the reclining nude and Giorgione’s extreme rarity place it among top Old Master prices.

$300–600 million

Although effectively inalienable as Italian state cultural property, The Storm would command an estimated $300–600M on a fully legal open market due to rarity and primacy.

$150-450 million

If unanimously authenticated as Giorgione, Pastoral Concert’s open‑market estimate is $150–450M, with a realistically probable realized band of $200–350M under competitive conditions.

$100-150 million

If securely accepted as an autograph Giorgione, The Three Philosophers would be worth about $100–150M; attribution or condition downgrades drop it to single‑/low‑double‑digit millions.

$100-150 million

Effectively off‑market in situ, the Castelfranco Madonna would nonetheless be defensibly valued at roughly $100–150M if legally transferable and uncontested as Giorgione.

$50-150 million

Held by the Kunsthistorisches, 'Laura' would command $50–150M if deaccessioned, the wide band reflecting Habsburg provenance and attribution/technical uncertainty.

$100-150 million

Accepted as an autograph Giorgione with clean provenance, the Allendale Nativity would fetch $100–150M; a workshop attribution would collapse value to single‑ or low‑double‑digit millions.

$30-120 million

The Hermitage's Judith is conditionally valued $30–120M if undisputed and sound, but contested attribution would reduce its market value steeply into the low millions.

$20-100 million

If accepted as an autograph Giorgione in good condition, Young Man with an Arrow would be valued ~$20–100M; probable or workshop attribution would lower it to roughly $0.5–10M.

$2-8 million

Because of loss, heavy restoration, and museum ownership, Il Tramonto (NG6307) is valued at $2–8M; full reattribution as an uncompromised Giorgione would raise it into the tens of millions.